tag:blogger.com,1999:blog-7632029549152237270.post7089089163942671469..comments2023-11-03T03:46:35.665-07:00Comments on Tom Russell: Notes from the Borderland: When the Legends Die (Song #2)Tom Russellhttp://www.blogger.com/profile/03134977181127153226noreply@blogger.comBlogger7125tag:blogger.com,1999:blog-7632029549152237270.post-10515346057146237662011-03-14T09:39:47.078-07:002011-03-14T09:39:47.078-07:00After 15 years of involvement in putting on a folk...After 15 years of involvement in putting on a folk festival, I've had the chance to meet may of my musical heroes, including Tom Russell, Guy Clark, Ian Tyson ... many more. <br /><br />"You have to accept the song, and give up on getting to know the singer."<br /><br />Truer words were never spoken. The song is what you keep. Waylon Jennings once said that the only thing he felt he owed his fans was good music — not a piece of himself. Fair enough. And many folks really can't get past the gap between the hero and the human. Hard on the singer, hard on the fan.<br /><br />That said, it was great to see Tom in Sisters, Oregon, where he put on a magnificent show.<br /><br /><br />Homesick: I don't think the Kingston Trio comment is out of line. The John Stewart work you cite was post-Trio. The Kingston Trio introduced many many people to a treasure trove of folk songs — and should be honored for that — but they were bowlderized weak coffee. Had to be.<br /><br />Stewart went on to dig deeper.<br /><br />Jim Corneliuseditorhttps://www.blogger.com/profile/18298399110078317876noreply@blogger.comtag:blogger.com,1999:blog-7632029549152237270.post-284025589012369422011-03-03T11:59:19.058-08:002011-03-03T11:59:19.058-08:00"First the Kingston Trio, then the real stuff..."First the Kingston Trio, then the real stuff . . . "<br /><br />That seems a little cold, especially since John Stewart began his career with the Trio and spent the next 50 years putting together an amazing body of work, as "real" as anyone's. I'll take "California Bloodlines" and "The Phoenix Concerts" over anything by anybody on your list of "real" folksingers. Surprising assessment from someone who constantly reminds us that words matter.Homesick Clarence Jenningshttps://www.blogger.com/profile/10646725682530016499noreply@blogger.comtag:blogger.com,1999:blog-7632029549152237270.post-57124524028619672752011-03-02T01:49:32.520-08:002011-03-02T01:49:32.520-08:00A few pertinent quotes ...
I think maybe it was T...A few pertinent quotes ...<br /><br />I think maybe it was Twain who said:<br />" Familiarity breeds contempt ... and children "<br /><br />Yeah, don't get too close!<br />Imitation brings annihilation " Et tu Brutus ".<br /><br />" There is rarely a creative man who does not have to pay for the divine spark of his great gifts ... the human element is frequently bled for the benefit of the creative element ".<br /><br /> - Carl Jung<br /><br /><br />Randy Newman when asked by a young reporter about breaking into the music business:<br />" Who would want to break into it? It's like a bank that has already been robbed ".<br /> - Backstage ( at the Oscars )<br /><br /><br /><br />Well Tom, fortunate for us you have some in the vault gaining interest and no doubt there is not a default looming <br />with them as with prevailing economic conditions. Thanks for lessons in the dangers of hero worship that is better left in the proper perspective of earned respect. My respect to <br />you as well. Don't get the message confused with the messenger. By the way, my grandmother was from <br />Bohemia, but she did not paint. I had to come to all of this through the back door. I was surrounded by practicality and had to fight my way out. Each man to his own portal. <br />Enjoyed the description of yours. Keep 'em coming ...<br /><br /><br />tVIA: Phoenix parking lot having just listened to Tony Bennett introduce his list of great ones ( Edith Piaf, Billie Holiday, etc. ) while introducing K.D. Lang before their duet of "Moonglow" and after the song declaring " Now that's a great singer " praising K.D. Lang. Tony Bennett, now that's a class act ( and he paints too ).Saddle Tramphttps://www.blogger.com/profile/15640646036914910941noreply@blogger.comtag:blogger.com,1999:blog-7632029549152237270.post-15919801222631059262011-02-26T10:47:21.433-08:002011-02-26T10:47:21.433-08:00heroes can hurt us....yeah, I'll be thinking a...heroes can hurt us....yeah, I'll be thinking about that one....<br />Loved your description of grandma's art class, I could really visualize all of it.Anonymoushttps://www.blogger.com/profile/17147948768047917450noreply@blogger.comtag:blogger.com,1999:blog-7632029549152237270.post-24878764096459854922011-02-26T08:33:04.438-08:002011-02-26T08:33:04.438-08:00This newer smaller music business is strange. I g...This newer smaller music business is strange. I grew up with my heroes coming to the shows in limos, now they drive the van and lug their own amp in the back door.<br /><br />The venues are so small I can look my heroes in the eye and but they look right back and sometimes I think, neither one of us likes what we see.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-7632029549152237270.post-31172139170556212602011-02-26T08:17:48.176-08:002011-02-26T08:17:48.176-08:00Old folksingers never die, they just fade into the...Old folksingers never die, they just fade into the fabric of history. Woody wrote This Land 71 years ago this past week; still some life in 'er! And your riff on the guy in his kitchen on Christmas had to remind me of California Snow, a superb song fit to stand beside any and all. I'd say you and Dave Alvin have a corner on the market, so watch it with the legends thing. You guys are gettin' damn close!IWitnessEdhttps://www.blogger.com/profile/18312808828448124509noreply@blogger.comtag:blogger.com,1999:blog-7632029549152237270.post-57838479859384064472011-02-25T19:42:45.532-08:002011-02-25T19:42:45.532-08:00Just read this and the previous one. I love your b...Just read this and the previous one. I love your blog--hearing about the new songs makes me want to hear the new album even more. <br /><br />Re: the previous post and Dylan, I've seen every Dylan show I could in the last 25 years. These days, the songs often take a while to reveal themselves, his voice is shot, he's lousy on the keyboard, and a completely indifferent guitar player. He still emanates something from the stage that is beyond critical comprehension. He is truly a holy man. He wrote those songs, he knows them inside out, upside down, and backwards and forwards, he can do whatever he wants with them--he has AUTHORITY. And his band kicks ass.<br /><br />It's interesting to compare his shows to Leonard Cohen's lovely, universally praised shows. Leonard's shows are celebratory and triumphant but basically written in stone, with no surprises. Dylan's shows are alive, full of surprises. "Gonna Change My Way of Thinking" anyone? If I wasn't an atheist I'd say God bless them both; since I am, I just try to bless them myself by hearing their music, thinking about it, and letting it change my way of thinking.<br /><br />The same goes for you, Mr. Russell. Love and Fear is one of the best records ever by anyone, a grown up album about love that can stand alongside of Blood on the Tracks and New Skin For the Old Ceremony and hold its own. It was a great show at the Tractor last week. The best moment for me was Manzanar, which I'd heard many times before but really reached me that night. How about that drunk chick screaming "Modern Art"--you get all kinds!Jay Esshttps://www.blogger.com/profile/18119395783540735028noreply@blogger.com